April 18th            The Wiz

April 25th            Brown Sugar

May 9th               Think Like A Man

May 16th             Cooley High

May 23rd             The Klumps: Nutty Professor

May 30th             Mahogany

The first song on the album is called “Soul Music”. This is a great opening track and placed really well on the album. This song is a feel good record and one you can easily fall in love with.  Track 2 is what I call their radio banger. The song is called “I Know”. The lyrics are on point and the hook is one you can  sing along too. I hear radio with this joint all day. Hopefully they release this as a single. Moving along to my favorite track on the album called “I AM”. This song is a really dope record. I’m big on subject matter. And this song has a gang of it. I love how they celebrate the original woman aka the “BLACK WOMAN” on this track. Part of the hook goes like this. “I am the reason they get surgery to look like me.” Really great record if I must say so myself.

Track #5 is by far the funkiest joint on the album. This song is called “Y.O.U.”. It has that 70’s feel and makes you nod your head right off the top. Really strong track here as well. The next song on the album is called “I’m Gone”. It’s not one of my favorite songs.  The production doesn’t really fit the rest of the album in my opinion. “Loveship Enterprise” is another great song on this body of work.  The production is very strong and the subject matter is so on point. This is the joint the ladies will love to life for real. Track #10 “Destiny” is also a radio friendly song. And one that should be considered for a single as well. Sistas and Brothas alike will both love this song. It’s a classic what we call “Rap Love Song”. Another sing along record for sure.

I will take a look at a few more joints before I close this review out. “Perfect” is a perfect what I call back and forth song between the Brotha and Sista. It reminds me of the Common & MC Lyte song “A Film Called (PIMP)” from his legendary “Like Water For Chocolate” album. The Brotha on this track is stepping to the Sista very respectfully. And by the end of the song she has fallen for him.  Track #14 is paying homage to their hometown Toledo. This record is called “Ease On”. They give you a grand tour of the city. And I feel like I know my way around the city now after listening to it a few times. The final song I will look at is called “Doin Our Own Thang”. The production is crazy and the lyrics and subject matter are even crazier. All hip hop heads will really dig this joint foreal.

I hope you all enjoyed this music review. Please go out and check out this great group and their great album. Again they are called “IndieSoulRey”. Trust me you won’t be disappointed. I’m happy to now be officially a part of the SMASHMOUTH FM family. So be on the lookout for my next music review coming real soon. PEACE & BLESSINGS Dealow Morgan aka “BROTHA INSIGHT”……..

The first song on this 12 track album is called “West Side Girl”. This song has a Prince vibe to it and is a great opening track. On this song Bilal let’s the young lady know she is truly his type of girl. Nice mid tempo joint that is produced very well. The 2nd joint on the album is the albums lead single called “Back To Love”. Really great record here as well. He is speaking to the sista asking her what do they need to do to get there relationship back on track. This like many of Bilal’s songs showcases his writing skills. And it’s good to see his pen game is still on point. “Winning Hand” is the next joint I will look at. On this song he is expressing to the Queen that she is like a winning hand of cards. His boys tell him to fold and he says no way she is truly a game changer. Great song and I love the percussion on this joint.

If you love what I call riding music. Then you will love the joint “CLIMBING” which is the type of song that has that Isaac Hayes feel. The next song called “Right At The Core” is my 2nd favorite song on the album. It’s a very well written song and fits the album perfect. The song starts off with a great opening line “Right at the core, you got me right at the core it’s the art of love and war.” Whoever this woman is she has the songwriters heart at it’s core for sure. The production is real slick as well. There are several tempo changes that make it a standout for sure. Track 9 is what I call Bilal’s first country song. It’s called “Lost For Now” and has a country vibe but he pulls it off for sure. Just any artist wouldn’t be able to pull this off. The great Aaron Neville would be proud of this record.

I will get into a few more songs before I close out this review. I’m now lead to take a look at track #10 called “Astray”. Bilal speaks to his lover and let’s her know he doesn’t want her to go astray and wants her to stay in his life. This last song is what I call musical heaven. This matches Bilal with his college classmate and great friend Mr. Robert Glasper. It’s called “Butterfly” and it’s by far my favorite song on the album. This is a very stripped down song you just get his great vocals and Glaspers great chords on the piano. “Butterfly the struggle makes you beautiful, the struggle makes you fly. Spread your wings and be new again”. When I read and listen to those powerful lyrics. I think of my people and our ancestors. We have all the tools it takes to be great but we have yet to recognize it. And that is the message I take from this song. Just pure genius in my opinion.

I think this album will cement Bilal’s legacy as one of the great voices and writers of his generation. So please go out and support this album when it drops this coming Tuesday 2/26/13. I truly enjoyed reviewing this classic body of work. And I hoped you all enjoyed the review. Look forward to the next review coming soon. PEACE & BLESSINGS Dealow Morgan aka “Brotha Insight”……..

RIC E Smith 12/26/2012 EWF

BEATS, RHYMES & LIFE w/ DJ T SOUL 12/25/12

The Most Mpressive Mixshow 12/24/12 Christmas Eve Show

DNA-Urban Sports Talk Radio

The Luv Dlux Lounge

lost vintage christmas 12/23/12

ALL SOULED OUT w/ DJ DADDY RAW 12/22/12

The Ladies Room 12/21/12

Krowne Lounge 12.21.12

Ric E Smith 12/19/12 Heavy D

beats rhymes life 12/18/12

The Most Mpressive Mixshow: The Mostly Ol’ Skool Show

DNA- Urban Sports Talk Radio 12.17.12

The Luv Dlux Lounge

lost vintage soul 12/16/12

All Souled Out “Live From The Troubador” (Choklate Show) snippet

The Ladies Room 12/14/12

KROWNE LOUNGE 12.14.12

The Session Uncut w/ DJ DreWills

Ric E Smith Show 12/12/2012 (CN)

beats rhymes life 12/11/12

The Most Mpressive Mixshow 12/10/12

DNA SPORTS TALK RADIO- THE UNO

The Luv Dlux Lounge

lost vintage soul 12/9

ALL SOULED OUT w/ DJ DADDY RAW 12/8/12

The Ladies Room 12/7/12

Krowne Lounge 12.7.12

The Session Uncut w/ DJ DreWills 12/06/12

Ric E Smith Show 12/05/2012 (SOS)

beats rhymes life 12/4

The Most Mpressive Mixshow 12/3/12 My Bday Party

The Luv Dlux Lounge

lost vintage soul 12/2

ALL SOULED OUT w/ DJ DADDY RAW 12/2/12

The Ladies Room 11/30/12

Krowne Lounge- Feel Good Friday’s 11.30

The Session Uncut 11/29/12

Ric E Smith Show 11/28/2012 (NC)

beats rhymes life 11/27

The Most Mpressive Mixshow 11/26/12 Erykah Badu Spotlight

The Luv Dlux

lost vintage soul 11/25

ALL SOULED OUT w/ DJ DADDY RAW 11/24/12

Krowne Lounge 11.23.12

THE SESSION – UNCUT w/ DJ DRE WILLS

beats rhymes life 11/20

The Most Mpressive Mixshow pt 2 11/19/12

The Luv Dlux Lounge

LOST VINTAGE SOUL w/ DJ T SOUL 11/18/12

The Ladies Room Nov 16 2012

Ric E Smith Show 11/14/2012 GB/CW

beats rhymes life 11/13

the Most Mpressive Mixshow 11/12/12

THE LUV DLUX LOUNGE 11/11/12

lost vintage soul mizell tribute2

ALL SOULED OUT w/ DJ DADDY RAW 11/10/12

The Ladies Room 11/9/2012

Krowne Lounge -Hip Hop Alternative

The Session Uncut replay

Ric E Smith Show 11/07/2012 R&Z

beats rhymes life 11/06

The Most Mpressive Mixshow 11/5/12 Pre Election Night

The Luv Dlux Lounge

lost vintage soul 11/4/12 mizelltribute

ALL SOULED OUT w/ DJ DADDY RAW 11/3/12

The Ladies Room 11/02/12

THE KROWNE LOUNGE hosted by DJ THOMAS KROWNE 11/1/12

The Session Uncut w/ @djdrewills 11/1/12

RIC E SMITH 10/31/2012 CHAKA KHAN

beats rhymes life 10/30

The Most Mpressive Mixshow 10/29/12

THE LUV DLUX LOUNGE 10/28/10

lost vintage soul 10/28

ALL SOULED OUT w/ DJ DADDY RAW 10/27/12

The Ladies Room 10/27/2012

Krowne Lounge 10.26.12

@theSESSIONUNCUT w/ @djdrewills 10/25/12

RIC E SMITH 10/24/2012 GLADYS KNIGHT

beats rhymes life 10/23

The Most Mpressive Mixshow 10/22/12 The Old school Edition

lost vintage soul 10/21

ALL SOULED OUT w DJ DADDY RAW 10/20/12

The Ladies Room 10_18_12

Krowne Lounge Prince vs MJ

The Session Uncut w/ @djdrewills (Anthony David Edition)

Ric E Smith Show (MG) 10/17/2012

BEATS, RHYMES & LIFE w/ DJ T SOUL 10/16/12

The Most Mpressive Mixshow 10/15/12

The Luv Dlux Lounge

LOST VINTAGE SOUL w/ DJ DADDY RAW 10/14/12

ALL SOULED OUT w/ DJ DADDY RAW 10/13/12

THE LADIES ROOM 10/12/12

Krowne Lounge 10.12.12

The Session Uncut w/ @DJDreWills (Winston Warrior & Bill Ortiz Edition)

Ric E Smith Show (Sade) 10/10/2012

BEATS, RHYMES & LIFE w/ DJ T SOUL 10/9/12

The Most Mpressive Mixshow 1 Year Anniversary Show 10/8/12

The Luv Dlux Lounge

LOST VINTAGE SOUL w/ DJ DADDY RAW 10/7/12

ALL SOULED OUT w/ DJ DADDY RAW 10/6/12

Krowne Lounge 10.5.12

The Session Uncut w/ @djdrewills 10/4/12

Jumpout Radio 10/4

RIC E SMITH 10/03/2012 MOVIE SOUNDTRACKS

BEATS, RHYMES & LIFE w/ DJ T SOUL 10/2/12

Jumpout Radio 10/2

The Most Mpressive Mixshow: The Jill Scott Edition 10/1/12

LOST VINTAGE SOUL w/ DJ DADDY RAW 9/30/12

ALL SOULED OUT w/ DJ DADDY RAW 9/29/12

The Ladies Room 9_28_12

THE KROWNE LOUNGE w/ DJ THOMAS KROWNE 9/28/12

The Session Uncut w/ @djdrewills (Choklate Edition)

The Ladies Room – 9/21/2012

Krowne Lounge 9.21.12 pt2

Krowne Lounge 9.21.12 pt1

The Session Uncut w/ @DJDreWills

Ric E Smith Show

Jumpout Radio 9/18

The Most Mpressive Mixshow 9/17/12

lost vintage soul 9/16 roy tribute

ALL SOULED OUT w/ DJ DADDY RAW 9/15/12

The Ladies Room # 9

THE SESSION – UNCUT w/ DJ DRE WILLS 9/13/12

Jumpout Radio 9/13

RIC E SMITH 09/12/2012 LL

beats rhymes life 9/11

Jumpout Radio 9/11

The Most Mpressive Mixshow 9/10/12 The throw back show

lost vintage soul 9/9

ALL SOULED OUT w/ DJ DADDY RAW 9/8/12

The Ladies Room #5

Krowne Lounge 9.7.12

The Session Uncut w/ DJ DreWills 9/6/12

Ric E Smith 09/05/2012 Cam

The Most Mpressive Mixshow 9/3/12 The Dwele Edition

lost vintage soul MJ bday tribute 9/2

Ric E Smith Show 08/01/2012 MW

beats rhymes life 7/31

Jumpout Radio 7/31

The Most Mpressive Mixshow 7/30/12

lost vintage soul 7/29

@TheSessionUncut w/ @DJDreWills 7/26/12

 Jumpout Radio 7/26

07/25/2012 RIC E SMITH SHOW WS

The Most Mpressive Mixshow 7/23/12

lost vintage soul 7/22

The Session Uncut w/ @DJDreWills 7/19/12

Jumpout Radio 7/19

Ric E Smith 07/18/2012 TTT

Jumpout Radio 7/17

The Most Mpressive Mixshow 7/16/12 Memory Lane

lost vintage soul 7/15

ALL SOULED OUT w/ DJ DADDY RAW 7/14/12

Krowne Lounge 6.13.12

The Session Uncut w/ @DJDreWills 7/12/12

Jumpout Radio 7/12

Ric E Smith Show 07/10/2012 AB

Jumpout Radio 7/11

beats rhymes life 7/10/12

JUMPOUT RADIO 7/10

The Most Mpressive Mixshow 7/9/12

THE TRU SKOOL MIX SHOW w/ SUPA DJ SID DELUXX 7/8/12

lost vintage soul 7/8/12

All Souled Out Replay 7/7

      Jumpout Radio 7/5

       Ric E Smith Show 07/04/2012 KG

       Jumpout Radio 7/4

       beats rhymes life replay 07/3

       Jumpout Radio 7/3 pt.2

       Jumpout Radio 7/3 pt.1

       The Most Mpressive Mixshow 07/02/12

       The Tru Skool Mixshow W/ Dj Sid Delux

       LOST VINTAGE SOUL w/ DJ DADDY RAW 7/1/12

       ALL SOULED OUT w/ DJ DADDY RAW 6/30/12

       Krowne Lounge Celebrating The Soundtracks

       The Session Uncut w/ @djdrewills 6/28/12

Ric E Smith Show 06/27/2012 MJ

beats rhymes life 6/26

Jumpout Radio 6/26

      The Most Mpressive Mixshow 6/25/12

      THE TRU SKOOL MIX SHOW w/ SUPA DJ SID DELUXX 6/24/12

lost vintage soul 6/24

Krowne Lounge Klassiks 6.22.12

beats rhymes life 6/19

The Most Mpressive Mixshow 6/18/12 The Throwback pt. 2

Tru Skool Mixshow

lost vintage soul 6/17

KROWE LOUNE FEAT ERIC ROBERSON

The Session Uncut w/ DJDreWills 6/14/12

Jumpout Radio 6/14

THE BEST OF THE OLD SCHOOL & NEW JACK w/ DJ RIC E

Jumpout Radio 6/13

Jumpout Radio 6/12

The Most Mpressive Mixshow: Throw back Day 6/11/12

LOST VINTAGE SOUL w/ DJ DADDY RAW 6/10/12

The Session Uncut w/ DJ DreWills 6/7/12

Jumpout Radio 6/7

Ric E Smith Show 06/06/2012 KS

Jumpout Radio 6/6

Jumpout Radio 6/5

The Most Mpressive Mixshow 6/4/12

Tru Skool mix Show with supa deejay sid deluxx

lost vintage soul 6/3

ALL SOULED OUT w/ DJ DADDY RAW 6/3/12

Krowne Lounge 6.1.12

Jumpout Radio 5/31

Ric E Smith Show 05/30/2012

BEATS, RHYMES & LIFE w/ DJ DADDY RAW 5/29/12

Jumpout Radio 5/29

The Most Mpressive Mixshow 5/28/12

tru skool mix show

LOST VINTAGE SOUL w/ DJ DADDY RAW

ALL SOULED OUT w/ DJ DADDY RAW 5/26/12

The Session Uncut w/ DJDREWILLS 5/24/12

Jumpout Radio 5/24

Ric E Smith Show 05/23/2012 EB

Jumpout Radio 5/23

Beats rhymes life 5/22

Jumpout Radio 5/22

The Most Mpressive Mixshow 5/21/12

Tru Skool Mix show w/ Supa DeeJay Sid Deluxx

lost vintage soul 5/20

ALL SOULED OUT w/ DJ DADDY RAW 5/19/12

The Session Uncut

Jumpout Radio 5/17

Jump Out Radio 5/16

BEATS RHYMES LIFE 5/15

Jumpout Radio 5/15

The Most Mpressive Mixshow 5/14/12

Tru Skool Mix Show/ Supa Dj Sid Deluxx

lost vintage soul 5/13

ALL SOULED OUT w/ DJ DADDY RAW 5/12/12

Jumpout Radio 5/10

Ric E Smith 05/09/2012 – OP

Jumpout Radio 5/9 (wbw)

Beats rhymes and life 5/8

Jumpout Radio 5/8

The Most Mpressive Mixshow 5/7/12

The Tru Skool Mixshow/ Dj Mpress Takeover

lost vintage soul 5/6

The Session Uncut w/ DJ DreWills

Jumpout Radio 5/3

Ric E Smith Show 05/02/2012

Jumpout Radio 5/2 (wbw)

Beats rhymes and life 5/1

Jumpout Radio 5/1

The Most Mpressive Mixshow 4/30/12

Tru Skool Mix Show w/ Supa Deejay Sid Deluxx

Lost vintage soul 4/29

ALL SOULED OUT w/ DJ DADDY RAW 4/28/12

Krowne Lounge ~ DJ Thomas Krowne~4.29.12

The Session Uncut

Jumpout Radio 4/26

Ric E Smith Show 04/25/2012

Jumpout Radio 4/25

beats rhmes and life 4/24

Jumpout Radio 4/24

The Most Mpressive Mixshow 4/23/12

Tru Skool Mix show w/ Supa Deejay Sid Deluxx

lost vintage soul 4/22/12

Krowne Lounge- Dj Thomas Krowne 4.20.12

The Session Uncut w/ DJ DreWills

Jumpout Radio 4/18 (WBW)

BEATS, RHYMES & LIFE w/ DJ DADDY RAW 4/17/12

The Most Mpressive Mixshow 4/16/12 Swill

Tru Skool Mix Show

lost vintage soul with dj t soul

Krowne Live feat Jamison

Krowne Lounge – Dj Thomas Krowne 4.13.12

The Session Uncut

Jumpout Radio 4/12

Ric E Smith Show 04/11/2012

Jumpout Radio 4/11

BEATS, RHYMES & LIFE w/ DJ DADDY RAW 4/10/12

Jumpout Radio 4/10/12

Jumpout Radio 4/10

The Most Mpressive Mixshow 4/9/12

LOST VINTAGE SOUL w/ DJ DADDY RAW 4/8/12

Dj Thomas Krowne Presents “Sessions Of Soul” 4-6-12

The Session Uncut

Jumpout Radio 4/5

Ric E Smith Show 04/04/2012

Jumpout Radio 4/4 (Special Edition)

BEATS, RHYMES & LIFE w/ DJ DADDY RAW 4/3/12

Jumpout Radio 4/3

The Most Mpressive Mixshow 4/2/12

LOST VINTAGE SOUL w/ DJ DADDY RAW 04/01/12

DJ THOMAS KROWNE PRESENTS SESSIONS OF SOUL 3.30.1

THE SESSION UNCUT w/ DJ DADDY RAW 3/29/12

Ric E Smith Show 03/28/2012

Jumpout Radio 3/28

Jumpout Radio 3/28

BEATS, RHYMES & LIFE w/ DJ T Soul ( Daddy Raw Fill In)

Jumpout Radio 3/27

The Most Mpressive Mixshow 3/26/12

Dj Thomas Krowne Presents….Sessions Of Soul 3.23.12

Jumpout Radio 3/22 (Dedicated To Trayvon Martin)

Ric E Smith Show 03/21/2012

beats rhymes and life

The Most Mpressive Mixshow 3/19/12

Tru Skool Mix Show w/ Supa Deejay Sid Deluxx

lost vintage soul

Soul Sessions Radio DK THOMAS KROWNE 3.16.12

The Session Uncut

Jumpout Radio 3/15

Ric E Smith Show 03/14/2012

beats rhymes and life

beats, rhymes and life with DJ T Soul

Jumpout Radio 3/13

The Most Mpressive Mixshow 3/12/12

TRU SKOOL MIX SHOW W/SUPA DJ SID DELUXX

Neo Soul Sessions 3/9/12 – DJ THOMAS KROWNE

THE SESSION UNCUT w/ DJ Daddy Raw

THE SESSION – UNCUT w/ DJ Daddy Raw 3/8/12

Jumpout Radio 3/8

Ric E Smith Show 03/07/2012

beats rhymes and life

Jumpout Radio 3/6

The Most Mpressive Mixshow 3/5/12

Soul Sessions Radio w/ DJ THOMAS KROWNE 3.2.12

The Session Uncut

Jumpout Radio 3/1

Ric E Smith Show 02/29/2012

beats, rhymes and life by dj t soul

Jumpout Radio 2/28

The Most Mpressive Mixshow 2/27/12

The 20th Edition

Neo Soul Sessions 2.24.12

The Session Uncut

The Session Uncut

Jumpout Radio 2/23

Ric E Smith Show 02/22/2012

beats rhymes and life

Jumpout Radio 2/21

The Most Mpressive Mixshow 2/20/12

TRU SKOOL MIX W/ SUPA DEEJAY

SID DELUXX

Jumpout Radio 2/16

Ric E Smith Show 02/15/2012

beats rhymes and life

Jumpout Radio 2/14

The Most Mpressive Mixshow 2/13/12

TRU SOOL MIX SHOW W/ SUPA

DEEJAY SID DELUXX

The Session Uncut Mpress Style (Light

the Jay [Dilla})

Jumpout Radio 2/9

Ric E Smith Show 02/08/2012

beats rhymes and life

Jumpout Radio 2/7

The Most Mpressive Mixshow 2/6/12

The Session Uncut

The Session Uncut 2/2/12

Jumpout Radio 2/2/12

Ric E Smith Show 02/01/2012

beats rhymes and life by dj t soul

The Most Mpressive Mixshow 1/30/12

Tru Skool Mix Show w/ Supa Dj Sid Deluxx

Jumpout Radio 1/26

Ric E Smith Show – 01/25/2012

beats rhymes and life

Jumpout Radio 1/24

The Most Mpressive Mixshow 1/23/12

TRU SKOOL MIX SHOW W/ SUPA DEEJAY

The Session Uncut Dj Mpress takeover 1/19/12

Jumpout 1/19

Ric E. Smith Show 01/18/2012

beats, rhymes and life

Jumpout Radio 1/17

The Most Mpressive Mixshow 1/16

The Tru Skool Mix Show DJ Mpress

Take Over 1/15

THe Session Uncut

The Session

The Session Uncut

jumpout 3

Ric E. Smith Show 01/11/2012

beats rhymes and life

Jumpout Radio 1/10

The Most Mpressive Mixshow 1/9

Tru Skool Mix Show

jumpout radio 1/15 pt 2

Jumpout Radio 1/5

DJ Ric E Smith 12/04/2012

beats rhymes and life

Jumpout 1/03

Jumpout Radio – 12/29

Jumpout Radio 12/27

The Most Mpressive Mixshow 12/26

TRU SKOOL MIX SHOW W/ SUPA DEEJAY

Jumpout 12/22

TRU SKOOL MIX SHOW W/ SUPA DEEJAY

Beats Rhymes and Life

The Most Mpressive Mixshow 12/19

Jumpout Radio

Beats, Rhymes and Life

Jumpout Radio

Jumpout Radio

TakTixX on Thursday 12/8/11

Beats Rhymes and Life

TakTixX on Tuesday 12/6/11

Beats

The Most Mpressive Mixshow 11/28

Beats Rhymes and Life

Nun

TakTixX on Tuesday

The Most Mpressive Mixshow

Beats

The Most Mpressive Mixshow

Beats Rhymes and Life

Beats Rhymes and Life

Beats Rhymes and Life

The Most Mpressive Mixshow

Beats, Rhymes and Life by DJ T Soul

The Most Mpressive Mixshow

Beats, Rhymes and Life by DJ T Soul

The Most Mpressive Mixshow

Beats, Rhymes and Life by DJ T Soul

Beats

Beats, Rhymes and Life by DJ T Soul

Beats, Rhymes, and Life

Beats, Rhymes, and Life by DJ T Soul

Beats

Join us Saturday December 15, 2012 as Smashmouth FM proudly presents singer “Choklate” in Columbus, Ohio!!! Seattle’s own Soul sensation Choklate will be coming to Ohio’s capital city to perform songs from her new EP entitled “Fly”, as well as other music from her vintage catalog. Plus, additional performances from the baddest band in the land….The Liquid Crystal Project!!! Also, Smashmouth FM’s own DJ Dre Wills will be LIVE on the 1′s x 2′s!!! $15 cover, drink specials and sophisticated attire is A MUST!!! Log on to www.smashmouthfm.com for ticket information or for general, vendor or sponsor info call (614) 653 – SOUL (7685) or (419) 665 – 6955. Come out and enjoy the best Grown & Sexy affair that Columbus has to offer!!! Hope to see your face in the place!!!

Get your tickets ONLINE Today here —>> http://www.choklatemusic.eventbrite.com

Before listening to this album, I thought Kendrick Lamar was a good rapper with slightly above average lyricism and very good musical and song writing sensibilities. Section 80 was pretty dope, but it got boring after a while, and I found myself only listening to a few songs and changing the record. However, Kendrick Lamar still showed enough flashes of brilliance for me to anxiously anticipate the release of GKMC. I would not be disappointed. 

GKMC is the story of a day in the life of a 17 year old Kendrick Lamar (K. Dot) and how a young man in Compton can be put in a position where he has to repeatedly cheat death in spite of having a good head on his shoulders and two parents that care about his well being.  The narrative of the story is told in the lyrics of the songs as well as the skits at the end of the songs. Im not going to spend my entire week explaining these skits to you…just go listen to the damn album. Im a talk, no, preach music to you though. Allow me to dive into it…

1. Sherane aka Master Splinter’s daughter – The opening song begins the story with the story of a girl he was going to see. He name is Sherane. Apparently she is rat. They chat. He tries to get on. He get to her crib. Her people run up on him. Dope ass song though. Has a very Andre3000/outkast feel to it.  4/5

2. Bitch, Don’t Kill My Vibe – Man I wish this shit came out in like 2000…this would have been my theme song all through high school.  This shit bangs like ’92 John Witherspoon. 4.5/5

3. Backseat Freestyle – This one ain’t that dope, but in the context of the story being told…its that dope.  3.5/5

4. The Art of Peer Pressue – This joint is simply fantastic. The concept, how it plays into the story line, his execution…Another one that’ll remind you a lot of ‘Kast… but shid im with the homies… love it.. 4.5/5

5. Money Trees Feat. Jay Rock – This one is decent. Not mind blowing, but again…when you tie it into the story line it plays a lot better. I see a lot of nigs online calling what I just said plea copping for bad songs trying to make them seem better than what they are…nah nigga, that’s called context listening. It’s also called not hating.  3.5/5

6. Poetic Justice Feat. Drake – Poetic Justice? Janet sample? Janet played in… ah..I see what they did there. Pretty dope joint. Chicks will love this. Drake does his typical 1,2.  3.5/5

7. Good Kid – Pharrell still giving cats gems. This is the beginning of the apex of the story and this is where the strongest part of the album begins aesthetically. This joint in particular…knocks. hard. The hook is very hypnotic and the entire song does a great joint painting the portrait of a young kid who is good at heart but is also negatively influenced by the surrounding factors. Amazing song. 4.5/5

8. m.A.A.d. City Feat. MC Eiht – My lord…This song is perfect. From the hook, to the menacing beat, to the beat flip with the Cube sample, to the choice to have MC Eiht on here…I can’t say enough about this song. Where ya Grandma stay huh my nigga? haha..yikes. 5/5

9. Swimming Pools (Drank) – This was one of those joints that I was kinda cool on, until I heard it in the context of the story…and I heard the extension thats on the album. This nigga really is good. 3.5/5

10. Sing About Me, I’m Dying of Thirst – After this song is when I realized that I was listening to a legit classic album. At this point, as long as the album didn’t tail off terribly…this young man has a classic on his hands…and it doesn’t.  5/5

11. Real Feat. Anna Wise – This joint sounds very Foreign Exchange-ish…hypnotic. Amazing. Anna Wise is perfect for the hook. The voice message from his parents mid song takes it to another level.  4.5/5

12. Compton Feat. Dr. Dre – Now as not fond as I have grown of Dr. Dre and his clearly ghostwritten verses…he aint even producing the record. This nigga living off name and headphones. But this is like the triumphant ending. No better way to end with a trademark Just Blaze joint. 4/5

13. The Recipe Feat Dr. Dre – I ain’t going to front, this joint kinda annoying. 3.5/5

14. Black Boy Fly – I used to be jealous of Aaron Afflalo…I used to be jealous of Aaron Afflao…this shit is amazing. This song should have been mixed within the album, imo… 4.5/5

15. Now or Never Feat. Mary J Blige – I gotta admit… I hate Mary J Blige since 2001. It pains me that The same woman who made What’s The 411 and My Life, is currently making the wacktastic Keyshia Cole remixes that she does. The hook on here is trash, but Kendrick tries hard to save it but rapping his ass off. 3/5

Conclusion: I’m going to give it time before I attempt to rank this album in my list of all time greats, but i’ve already decided that this album ranks amongst the greatest rap albums that i’ve ever heard. This is not coming from a just heard illmatic in 2008, fake ass hipster internet clown. This album is that good. Listen to it. Front to back. This may be the best rap album since Ghostface Killah’s Supreme Clientele. Kendrick Lamar…a new king is crowned. IN THE CIIIIIIIIRCLE OF LIIIIIIIIIIFFFFFEEEEE

5/5 

Next up: Skyzoo – A Dream Deferred and Sean Price – Mic Tyson…P! 

Songs are judged on a 0-5 basis (0 being cheeks, 5 being classic), and the judgement is based on the following: lyrics, production, and the cohesiveness of the two. Whether or not the song is good for what it was intended to do, and its according entertainment value.  Now, I am going to be very specific with what these numeric values mean in terms of what I am giving them. Here is the scale:

0-1.5 – Amongst the most terrible songs i’ve ever heard

2 – Bad song

2.5 – average song- not good/not awful

3 – pretty good, not mind blowing but good

3.5 – I could ride out to this

4 – Has great replay value

4.5 – Song/Album of the year candidate

5 – Classic hip-hop record

Albums in totality are judged by the same, but including flow of the album and consistency of attributes throughout the album. With that being said…

Nas is the greatest emcee/rapper/whatever distinction you want to make… of all time.

Fuck your corny debate, Nas the best.  The only other cases i’m entertaining are 1996-2003 Jay-Z (once you add Kingdom Come, American Gangster, Blueprint 3 into the mix it gets a little fuzzy) and Rakim. Everything else…save it for complex, or spin, or pitchfork, or whatever other media outlet that corny people follow. By the way, I felt like this before I heard Life is Good. Now… Niggas can’t tell me NOTHING (c) Ye

1. No Introduction – “P.S. 111 at free lunch embarrassed but managed to get a plate…” That type of thematic tone and internal imagery is what makes this album what it is, and also what makes Nas the goat. I like the level of epic on this track- it fits the content as Nas basically documents his winning on this track, which is perfect for the opening of an album called ‘Life is Good’ …”The craziest things already happened to me, so either you’ll be laughing at me or you’re laughing with me…” c’mon.   4/5

2. Locomotive – “It’s ghetto beef, sinister niggas snicker through yellow teeth, alcohol aging my niggas faster than felonies, how dare I? Must be, something in the air that corrupts me, look at my upkeep, owned and sublease, I’m here y’all…” It speaks for itself. 4/5

3. A Queens Story – For anyone who is up on their hip-hop knowledge, this track should have had you seeing the light (if you ain’t already know) about why Pac seemingly hated Nas so much. This song was getting trapped in that slightly above average category, until the switch up in the beat to the piano in the last verse which is a transition into the next song. Then of course there’s this: “Now I’m the only black in the club with rich yuppie kids, sad thing this is the top but where the hustlers went?, No familiar faces around ain’t gotta grab the musket, It’s all safe and sound champagne by the bucket, where them niggas I shouted out on my first shit?, Bo cooking blow fucking slay that where Turkey went?, Old videos show niggas that was murdered since, Another reason to get further bent…” C’mon. 4/5

4. Accident Murderers feat. Dade County Deputy Sheriff William Roberts – I love the concept. The beat it dope. This joint is just missing something. Rick Ross spits his typical off topic ramble that apparently makes him a top dog in the rap world today. I like the song but its a drop off from the first 3.   3.5/5

5. Daughters – Most rappers don’t have the balls to vulnerable. I wouldn’t call this joint groundbreaking nor would I call it typical. It just is what it is. Shit for niggas with daughters. 3.5/5

6. Reach Out feat. Mary J. Blige, allegedly the queen of hip-hop/soul – I love that they flip one of my favorite produced r&b joints ever.  Nas spits on here as usual, but something about this joint seems somewhat generic. Maybe it’s Mary. Probably it’s Mary. She just hasn’t been the same since Tyler Perry started taking her songs and making movies out of them. Ah well… 3/5

7. World’s an Addiction feat. Anthony Hamilton, king of black bohemia – Another kind of weird and generic track that Nas lyrically lights up. Nas lyrically lights up this entire album. Most of the time the rest of the joint meets him, sometimes it doesn’t. This is one of the sometimes, but its still a pretty good track. 3/5

8. Summer on Smash feat Miguel – Swizz Beats…so you already know what it is. 2/5

9. You Wouldn’t Understand feat. Victoria Monet – Now we are getting back to Nas being Nas. This joint has that unorthodox God’s Son/Street’s Disciple era Nas feel to it, and he works it well. “Fuck it i’m a die one day, they probably will make that day a holiday, until then let’s go on a shopping spree…” I love that right there. 3.5/5

10. Back When - To call them fake today is hate, real niggas extinct, Pac left me inside a rap world with niggas that wink, at other rappers undercover niggas spit every way, won’t be surprised if all their rides have federal plates, Let alone their wardrobes and Studio 4 flow, It was real when I appeared it would’ve been some jaws broke, Nas, my real name stage name  same thing, How could you let these lames claim king? I’m so ashamed, man…and this beat…c’mon. 4.5/5

11. The Don – This joint was already good, but when they did that beat change at the beginning of the third verse, I lost control of the muscles in my face. Holy shit. 4/5

12. Stay – I’ve never done this before, both of the two ‘this’ that i’m about to do…here it goes. 1. I’m not even going to talk about this song, and 2.  5/5.   I want this shit played at my funeral.

13. Cherry Wine feat. Amy Winehouse aka the only white woman or drug addict or ugly woman I would have ever considered wifing – I got hype when I saw that he had a joint with Amy on here because 1. I knew it wasn’t just going to be Nas rapping with some old ass vocals from Amy that don’t even fit the song because she’s dead and they didn’t go there anyway. 2. I love Amy like my first son. This is some smooth ass having fun on the town with your better half music. Dig. 3.5/5

14. Bye Baby – The sample of ‘Goodbye Love’ by Guy is ill. The song is ill. He letting it out. He rapping good over a good beat. What more could you ask for? Well, it could be ‘Stay’ .  4/5

15. Nasty – This song is about two years old now it seems, so it has lost some of its initial luster. Nonetheless, the title says it all. 3.5/5

16. The Black Bond – Yo…OMG @ this shit. This beat, these rhymes. Every time I play this joint, I have to play it twice. The imagery of him with the chick in the first verse is amazing. This song in its entirety is amazing. 4.5/5

17. Roses feat. Nikki Flores – The hook on this song is very eerie yet intoxicating. I think he is getting out some more of that Kelis, and he does it well. 4/5

18. Where’s the Love feat Cocaine 80s – I was going to put a quote on here…but as I thought about what exactly to quote, I ended up typing the entire second verse. That’s how crazy that shit is. The music is dead on with the concept and content as well. This is how you make a cohesive record. 4/5

Conclusion: Is there is any rapper in the history of hip-hop who has ever 1. Been this good lyrically this late in their career (Nas is about to be 40, and his first album dropped 18 years ago) and 2. Made an album this good this late in their career? If you can think of one,  please leave a comment and let me know who. Longevity like this is the stuff that GOATs are made of. While other cats who came up in his era are dead, fighting their twilight, or living off legacy, Nas is still dropping original and quality product. If we were to replace that ‘Reach Out, World’s an Addiction, Summer on Smash’ sequence with a couple of heat rocks…this album would easily get the 5/5…but we can’t so there’s that. I thought Nas was the greatest rapper of all time before this album dropped. Unless, Jay-Z is going to get back into Reasonable Doubt mode for a few more albums, or Ghostface has a few more Supreme Clienteles in him… the gap between Nas and everybody else just grows larger and larger…

4.5/5

-Sonny Rockwell

LIVE

Eric Roberson

Mister Nice Guy

June 15, 2012
Also performing will be: Jennifer Sheffield
Hosted by DJ Thomas Krowne

The 4020 Lounge at The Fish House
4020 Durham Chapel Hill Boulevard
Durham, NC 27707

Doors Open at 9:00 PM
Show Starts at 10:00 PM

Tickets: General $25
VIP Tables Available

Tickets available ONLINE at

www.SmithEntertainmentGroup.eventbrite.com

or

www.SmithEntertainmentGroup.com

Click Here to follow SmithENTGroup on Twitter!

Ladies and gentlemen, welcome to the most official review of this album… any review I do will be the most official review for that album. Anyway, here we do not judge names, bank statements, or TMZ appearances. We judge music. Dig that.

Songs are judged on a 0-5 basis (0 being cheeks, 5 being classic), and the judgement is based on the following: lyrics, production, and the cohesiveness of the two. Whether or not the song is good for what it was intended to do, and its according entertainment value.  Now, I am going to be very specific with what these numeric values mean in terms of what I am giving them. Here is the scale:

0-1.5 – Amongst the most terrible songs i’ve ever heard

2 – Bad song

2.5 – average song- not good/not awful

3 – pretty good, not mind blowing but good

3.5 – I could ride out to this

4 – Has great replay value

4.5 – Song/Album of the year candidate

5 – Classic hip-hop/soul record

Albums in totality are judged by the same, but including flow of the album and consistency of attributes throughout the album. With that being said…

Most artist are on the verge of falling off by their sixth album. Especially their sixth album in ten years. There is a grand burn out factor to consider…usually. Conya Doss out of Cleveland, Ohio attempts to not be a casualty of this notion with her sixth album, Pocket Full of Purpose.  Conya is a staple in the soul music scene, and deserves the recognition as that.  My first two listens of this album were in my offices while doing reports, and were admittingly vague.  However, I argue that vague listening is necessary as is comprehensive listening to get a complete understanding of what you are musically dealing with.  So after six total listens to Pocket Full of Purpose, I am in a place where I can effectively reach out to Conya Doss fans, and those who stumble upon this review to share some grand insight into the music.

1. Reaching For The Stars – Nice opening song. Her lyrics on this joint are seductive as well as uplifting and progressive. Nice upbeat tempo. I can’t front on it at all.  4/5

2. I Want It All – More of the traditional R&B joints on the album in terms of content and sound. I personally like songs by women that denounce the relationship and social dominance that many men hold onto women with. 3.5/5

3.Paradise- I’m a fan of this one. I love the feel of the music… on some walking in the park telling jokes and swinging and other shit that adults don’t do on a regular basis. This is also a cohesive joint…it flows well. It just works. 4/5

4. What About You and Me feat. Chris McNeal – Another traditional but smooth joint. This one is a duet that works out very well. Chris McNeal adds a very precise male perspective that takes the song to another level. One of the better duets that I’ve heard in a while. 4/5

5. Piano Interlude – Ok, this interlude is pretty bad. It’s a good idea, but it sounds pretty corny..especially the last cat to leave a message. The piano is nice though. 3/5

6. Don’t Change – This is the album’s single. I’m in love with this production. It really doesnt matter whats said at this point…im sold on the track. With that said, she compliments the production with a clever and inspiring sentiment to a man. These words, every man would love to hear from a woman, but rarely do. I feel good just hearing them spoken generally in the song. Great single choice. 4/5

7. Just Me – Conya has a knack for eloquently addressing human elements in her lyrics- this song is a perfect example of this quality. One of the slower tracks on the album in terms of entertainment value. Still knocks though. I don’t thing Conya is capable of making an outright bad record.  3.5/5

8. Letter – Ok, when the joint first came on I could have sworn I heard it earlier in the album.  There is a redundant element in the lyrical content to this song that keeps me from enjoying it. 2.5/5

9. Here for You – This song is redundant as well, musically…but its a good song so I can’t front on it. 3/5

10.  Jamie (Come Back) – This is a funky joint. I like the musical direction and the story. The concept of the song is beautiful, and is one that is lost in the sentiment of blowing up is everything amongst the current field of artists. This needs to be heard. 3.5/5

11. Lost – I love this one. Has a very improve/jam session feel to it. Really sets the tone for the back half of the album. 4/5

12. Where Do We Go From Here? – This song is a well written articulation of a common issue in relationships that are ending. While I am not a big fan of this song aesthetically, I do like the direction that is taken. 3/5

13.  Ill Say Yes – Perfectly placed as the last song on the album.  The slow tempo seems to balance the album musically and create a more cohesive element as an ending.  It is musically and lyrically pleasing. Saving the best for last, I call it… 4/5

Conclusion: The album starts off strong, grows a little snooze, and then picks up at the end. Overall, there are many good to very good songs on this album. Pocket Full is also cohesive, and edgy in terms of the complete sound.  After listening to the album, the album title is very appropriate and well placed. This album reminds me of Glenn Lewis’ World Outside My Window with a feminine twist.  That concept of burning out that I mentioned earlier…don’t worry about it. Conya good.

4/5

-Sonny Rockwell

Songstress Conya Doss official album release concert for her new album entitled “Pocket Full of Purpose” will be held Saturday, April 21st, 2012
The Loft at Center Stage
1374 West Peachtree Street
Atlanta, Georgia 30309

Special Guest: Chantae Cann

Buy your tickets HERE

Doors Open @ 7:30 pm
Show Starts @ 8:30 pm

I can go on and on about the importance of the battle in hiphop culture. I’m not going to do that right now. Besides, just as relevant as its place in the culture is this fact; everyone enjoys a battle, and that is a concept that goes beyond hiphop.  America is a culture of confrontation. With that being said, the outcome of battles have been long debated and examined in hiphop.  Well, right now, the god is about to put all that shit to rest. I’m laying the law about a few of the most debated hiphop battles amongst heads. Lets take it from the top…

LL Cool J vs Canibus:  LL Cool J has always been a bitch with power. What I mean by that is that he creates emotionally charged scenarios in which he should feel disrespected, and proceeds to attack accordingly. Honestly, I believe these were just his rationalizations for getting his legacy up on cats. It was no different with Canibus. 

The Story: Canibus was a feature on LL’s 1997 song “4,3,2,1” which also featured Method Man, Redman, and Master P (lol)  On the record, Canibus asks to borrow the mic on LL’s arm. LL somehow took that as disrespect and and recorded vocals that responded to the request of Canibus. Canibus then, on his first album, released a response to LL entitled, “Second Round KO” along with numerous random freestyles and such.  LL responded with “The Ripper Strikes Back” and “Back Where I Belong” on his album called “The G.O.A.T.”

The Real: LL starting stuff for no reason. I think that he thought that this was going to be a typical LL Cool J flex session where he showed the rap world that he was still the bully on the block. Well, he bit off more than he can chew this time.  Canibus was a young lion, and LL simply was not ready to trade lyrical jabs with that level of hunger and skill.  Second Round KO may very well be the most treacherous lyrical assault in hiphop history. It is certainly one of the best diss records.  LL responded to Second Round KO with a solid one liner, but the execution of KO: The Mike Tyson intro, the beat, the opening and ending…it was just a fantastic diss record.  If LL wasn’t already a legend, Second Round KO would have made him obsolete.

The Winner: Canibus

Jadakiss vs Beanie Sigel

The Story: Jadakiss and Jay-z came to odds, because Jay-z allegedly (most likely) bought his way onto the remix of R. Kelly’s “Fiesta” which was supposed to be Kells and Kiss. Kiss takes initiative and spits a few potent bars over the track with Styles P. Tension was thick amongst what were the two most popular crews in New York at the time. Me and my man Stu had got a bootleg copy of Jadakiss’ underwhelming debut solo album, “Kiss The Game Goodbye” the summer before it dropped. We sat at my grandmother’s house playing NBA live and listening to the album.  We both sat back in disgust in what we were hearing, especially me because at the time Jadakiss was my rap hero. I really thought he was next up. I was stewing in my depression, and then the last song on the bootleg came on.  DMX was on it, cool. “I only gave you the crown so I can shoot it off your fucking head…” he snarls.  Subliminal to Jay-z? Now I’m hype. Then we get to Kiss’ verse. “Don’t try to apologize on your two way, sympathy don’t amuse me…” Easily the highlight of the entire album. Half way through the verse he “had to stop eating red meat cause he ate to many beanie macs…” Ok, now I forget all about how trash the album was, and im focused on what seemed to be a ruff ryder/rocafella war brewing.  Not long after that, DJ clue drops a stadium tape. The first two tracks of this tape? A Beanie Sigel diss to Jadakiss, and Jada’s response.  After these initial diss records came numerous radio freestyle and live freestyle disses by each emcee.

The Real: Kiss and Beans are two superior emcees, so their battle was greatly anticipated. As generals, so to speak, of their camps it also seemed to be the set up for a possible war. In terms of the two diss records, Jada’s was more concise and potent.  Bean’s had plenty of punchlines and bars for Kiss, but in the end, Kiss delivered lines that directly addressed many of Sigel’s circumstances and came with some facts. Facts are always impressive, and serve as more cunning in the field of battle. Now, outside of the diss records, Beans dominated.  He did a live freestyle in New York..it was live as hell. He did a hot 97 freestyle that he later did on Rap city the basement…it was live as hell. Kiss was relatively quiet outside of the diss records. However, in a battle the diss record is always the paramount aspect of the battle. The diss record exchange was good punchlines vs potent punchlines. Potent punchlines won

The Winner:  Jadakiss

You knew I was going to do this right?

Nas vs Jay-Z

The story:  Let me take this from THE TOP…THE TOP, TOP.  Now, my first tidbit is their interaction on tour. Nas was touring with Main Source and Jay-Z was touring with Jaz-O altogether with UMCs. There was an altercation between the two of them that got physical, in which Nas was the victor. (I’ll still whip your ass, you 36 in a karate class…)  Jay-Z the ego, went a pulled a pistol on Nas after the altercation. (I showed you your first tec on tour with large professor…) 

Fast forward to 1995 or so… Jay-Z is making a regional buzz with his song “Dead Presidents”, which features a Nas sample from the song “The World is Yours” Jay-Z attempted to get Nas to feature on Dead Presidents II for his debut album, Reasonable Doubt. Jay-Z got a hold of Nas through a mutual friend of a friend by the name of Chase. (In 88, you was getting Chase to your building. Calling my crib and I aint even give you my numbers…) (Just Hawaiian shirts, hanging with little Chase…) Nas declined. More bad blood.

Jay-Z started smashing Nas’ baby moms/fiancée, Carmen. Obvious bad blood. From this point, many subliminals were shot. Nas and Jay-Z go on as the two biggest names in New York since the death of Big, Jay-Z as the rap phenomenon king pin, Nas as the lyrical genius. It all boils over at Summer Jam 2001.  Jay-Z performs Takeover. He stops at the second verse though, where he raps… “Ask Nas, he don’t want it with Hov…”  New York goes crazy.  Shortly thereafter, goes on the radio and addresses the situation. Here he releases his “Stillmatic freestyle” which also obviously is a promotion to his album that was to be released the end of that year.  September 11, 2001…Blueprint drops. The full version of Takeover is on there. December 4, 2001 Ether is released to DJs and radio outlets. Shortly after, superugly. Nas makes many references to the battle and sonning Jay-Z (which at the time, before all of the revisionist history..was common knowledge) A year later, Jay-z releases the blueprint 2. 

The Real: This battle to this day is subject to debate. Ill use the term debate loosely..well, because Jay clearly lost the battle.  It’s 2012, and people on-line use the word “ether and ethered” as a term meaning that somebody got their ass handed to them. All of this trying to cope with that one true blemish on Jay-Z’s career. Stop it. There is no such thing as, “Jay lost the battle, but won the war.” No war is being fought. Their career paths after the battle were already in determination before the battle, nor is it a competition between to men to see who can make the most money or see who can be more of a celebrity.  The path that Jay-Z has taken is the path that he always intended for himself, as is the case for Nas. They are two different paths, but they clashed at the top. End of story.  There is no, “Takeover was the better SONG though”…the fuck does that mean? It’s a battle. Who made the best diss record? or is there a way to disregard that?  Stop with the, “Nas told jokes, Jay spit facts…” This is a fallacy. So every nas album not named Illmatic is wack? That’s a fact? No, that’s a trevesty of an outlook to have as a fan. A nigga who grew up in Queensbridge projects didnt see a gun until he left those projects and went on tour at age 17 or 18 or so? C’mon. “I sampled your voice, you were using it wrong…” LMAO what?? If making “The World is Yours” is using your voice wrong… There was some truth in Takeover (I know who I paid God, Serchlite publishing) and it was a great diss record, but all in all it was a verse full of well put bullshit claims.  

Ether had some silly jokes, yes. Ether also had many facts.  KRS already made an album called Blueprint- fact.  The little Chase references -fact. Rocafella, the inspiration for the label’s name did indeed die of aids. Foxy got you hot…truth to it.  Eminem murdered you on your own shit- well, you heard Renegade lol.  How much of Biggies rhymes is gonna come out your fat lips? That’s a twofer. You pop shit and apologize nigga just ask kiss…I addressed that earlier. 

Aside from the fact or fiction game, Nas was relentless for three verses. Jay-Z, I dont know if he thought Nas was done or something, but he made the mistake of his life by just making nas a co defendant on Takeover. It just wasn’t a good idea. To top it all off, Jay-Z, a year later finally seriously responds to ether. He makes it the title track to his double album, and on it he admits that he got sonned. “For I will not lose, even in defeat it’s a valuable lesson learned so it evens it out for me…” L.

The Winner: Nas

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